Saturday, April 23, 2011

Happy Easter



Andy Warhol, "Eggs" - Museum Brandhorst, Munich
 

Dear friends,

I wish you all a fantastic Easter weekend with your families and friends. Enjoy the little break from the daily routine and have a great time.

PS: Sorry for the odd perspective of the image, but it is hanging very high on the wall and I am a short person.

Self Portrait at Museum Brandhorst, Munich


In the picture:
- A part of an art work by Damien Hirst
- Me and my new camera reflecting in the art work
- In the background of the reflection Warhol's "Last Supper"

Date:
Good Friday, April 22nd 2011
Location:
Museum Brandhorst, Munich

And yes ...  that's a Steelers shirt. It's a little out of season but my Pens gear was in the laundry ;)

My books: March 2011

This month’s edition is a little special, because it is as much about art as it is about literature and so I feel like giving a little personal introduction to the topic:

My love for modern art was born in front of a huge Robert Rauschenberg collage back in ca. 1990. During a school excursion to Düsseldorf we did a tour through the Art Collection NRW and the guide asked us what we were seeing in this picture. As you can imagine a bunch of bored teenagers was not the best audience for the poor lady, but I raised my hand although that was a slightly unpopular geek move.

I have no idea anymore what I exactly said about the collage, but I remember her starring at me asking if I had studied this kind of art before that I knew so much. Funny I enough I knew nothing at all. I had only told her what I saw. It was love at first sight and is love ever since. The New York School of Abstract Expressionism and Pop Art is IT for me and Robert Rauschenberg is still my hero.

But before we go on let’s do a short praise on the Art Collection NRW in Düsseldorf, where it all happened and which is one of the best collections of modern art available in Europe. I was a lucky kid to get introduced to this kind of art at this special place. The history of the museum goes back to the year 1961 when the Federal State of Nordrhein-Westfalen (where I grew up) bought 88 works of Paul Klee, when steel industrialist G. David Thompson sold his magnificent art collection after his hometown Pittsburgh, Pennsylvania (Yes, that one … again) had turned his wish down to get a dedicated museum. So Pittsburgh’s loss for Duesseldorf’s win (read more here).

As of today the Art Collection NRW has developed a couple of main focus areas like the work of Paul Klee, Picasso & Cubism, Surrealism, photo & video art, the work of Joseph Beuys, contemporary art and - most important in the context of this blog post - a very fine collection of American Art after WWII featuring the work of Robert Rauschenberg, Jackson Pollock, Andy Warhol, Ellsworth Kelly, Mark Rothko, Barnett Newman, Cy Twombly and many more.

Just in case you still have room for more visual impression after the visiting the Art Collection NRW you only need to cross the Rhine to find another fantastic museum which should not be forgotten here: Museum Ludwig in Cologne.

It is also focused on the art of the 20th century and contemporary art. The museum offers besides a lot of other fantastic stuff (like a great Bauhaus collection) a fine selection also of American Abstract Expressionism art works and an extremely nice collection of Pop Art with works of Andy Warhol, Jasper Johns, James Rosenquist, Roy Lichtenstein, Claes Oldenburg (I love his sculptures) and more.

You see – even before I first boarded a transatlantic airplane many years later to explore my two favorite art places - the Museums of Modern Art in New York and San Francisco - I had the chance to experience some really fine pieces from my favorite art movements.

But now let’s talk books


John Updike – Seek My Face

I LIKE

First of all … I would really like to know why the first 50 pages of an Updike novel are always so hard to read for me. It is definitely not the language, which is absolutely superb. It is definitely not a lack of precise descriptions to help the fantasy, because there is probably no other writer who offers more realistic descriptions than Updike, who can turn such a simple scene like an old lady preparing a tuna salad into a masterpiece of writing.
To find out what it could be and paying tribute of the complexity to “Seek My Face” I read some reviews about the book (what I usually and with full intention don’t do before writing the blogs posts) and one of the reviewers mentioned the cool distance Updike keeps often to his main characters and I guess that is right – at least it is something I can feel as well. I also usually find in every book a character or at least some parts of a character I can relate to (or wish I could relate to), where I can make a personal connection, but with Updike’s characters I usually have nothing or very little in common (and often do not even want to), which does not make things exactly easier. But the good news is - after the first 50 pages I usually adjust to this different way of reading and enjoy it a lot.
“Seek My Face” was released in 2002 and covers one single day in real time and several decades of American Art history in narrated time. It is a fictional interview with the elderly artist Hope Chafetz and Kathryn, a young journalist form New York. The topic of the interview is Hope’s life as an artist and even more important as the wife of two famous artists. Her first husband Zack McCoy is more or less an exact biographical copy of Abstract Expressionism mastermind Jackson Pollock. But where Pollock’s real wife, artist Lee Krasner, did not marry again and focused on her late husband’s work, Hope (of course – we talk about an Updike character here) got married two more times. Her second husband was Pop Art superstar Guy Holloway. Other than the close-to-the original McCoy Holloway is a hybrid of Andy Warhol, Robert Rauschenberg, Jasper Johns and Roy Lichtenstein. In both marriages Hope and her husbands are surrounded by lots of other famous artists of the time. In most of the cases Updike used fictional names, which were often quite close to the originals. His characters refer for example to Hans Hofmann, Barnett Newman, Mark Rothko or Willem de Koning. You also meet Clem (Clement Greenberg) and Peggy (Peggy Guggenheim) barely hidden by using only the first names.

In a way reading all this is fun. It’s like playing the “guess the artwork / artist” game. Coming back from my US art marathon with visiting the Guggenheim Museum, MOMA, The Whitney Museum and the Warhol Museum in Pittsburgh my scores were pretty high, because I had seen most of the mentioned artworks only few weeks ago (LUCKY ME!).

I also liked a lot the Pollock part of the story because it feels more like sneak peak ‘behind the scene’, more personal and private than a regular biography usually does. It makes you feel that the paintings you look at in the biggest museums around the planet were made by an actual person – a very special, very energetic but also very haunted person. That’s a rare experience for a person my age since most of the relevant artists are already dead or at least so old now that they are no longer people of the regular public life.

The Pop Art part of the story is still very interesting and catches very well the totally different idea of art which is the driver behind this movement. And if possible the mentioned pieces of art are even more famous than in the Abstract Expressionism part of the book. Or maybe the more precise (obviously) phrase would be ‘more popular’. One of the basic ideas of Pop Art is that it is reproducible and made to be reproduced as often as you want. We all have for example seen Warhol’s Marilyns a million times – in the waiting room of your dentist or in the meeting room of my old company. But from the reader’s perspective I find the hybrid character of a “Warhol” with family and kids much more difficult to read because it feels like drifting back and forth between fiction and reality. I know that the Pollock part is often fictional as well, but it feels more stringent than the Pop Art part – at least for me.

More interesting for me is to follow Hope how she reflects about her own art and identity as a female artist in relation to her famous husbands. Hope herself is also a painter. She went to art school and worked with one of the most famous artists and art teachers of her time. But when she was married to Zack (Pollock) he did not really respect her art, told her she was either copying (him and others) or producing weak stuff. She was not strong enough to really stand up against the genius and more than busy playing the role of women at that time as a caring wife – a pretty difficult job with such a heavy drinking, self-destructive husband.

In her 2nd marriage was again not much room for her own art. Guy (Warhol & others) was much less complicated to live with, but in this relationship she played the other key role of a woman – the one of a mother raising hers and Guy’s three kids.

In her 3rd marriage finally she had a husband, whose ego would not have suffered from the talent of his wife because he loved art but was never an artist himself but an art collector. He supported her, built her a studio where she could work on her paintings, but looking back Hope realizes that she again tried first of all to please him with creating things she knew he would like instead of searching for her own identity as an artist.

Behind all the talk about art and their main protagonists we have additionally the typical Updike themes: the lifecycle of relationships in some variations (Hope had a long life and three husbands) and the difficult microcosm of a family with Hope’s homosexual daughter and her two sons, who both did not inherited the sense for art and design from their famous parents.

And we have another relationship: the one between Hope and her interviewer Kathryn. Hope very much sees her as an intruder (Updike repeats this almost too often), who seems to attack her more than interviewing her, although I think in some cases it is more Hope’s own mixed balance of her life than really the interview questions. And although Hope does not seem to like having her around she is so keen to tell the story from her perspective, to paint her own picture of the past, that she does not let Kathryn go before the whole story is told.

We also have two generation of women, young and old, answerer and interviewer, wife and fan. The last of those combinations is probably the most interesting one, because the two women kind of dueling about who loves Zack most. It is not a fair game and Kathryn will always win not although but BECAUSE she never met Zack. It is always more so much more easy to idolize and love a person from a geographical and temporally distance than to do it for real.

Uff … I can tell you – although both is worth every effort writing about this book is almost as uphill as reading it. I skip my usual list of little things I liked in the book although there are a lot, but this posting is very long even without it.


Ann Temkin - Abstract Expressionism at The Museum of Modern Art

I LOVE

When I went to New York, my timing was very bad for many things … the weather was awful most of the time, I missed the Broadway premiere of my favorite play and some absolutely awesome events in Pittsburgh by a couple of days. But the art fan in me was lucky, because I could catch the exhibition Abstract Expressionist New York at the MOMA, which will end now at April 25th.  
The book by Ann Temkin was published by MOMA New York alongside the exhibition. And here you go with the official description:
“Beginning in the mid-1940s, works by then little-known American artists—including Jackson Pollock, Willem de Kooning, David Smith, Lee Krasner, and Mark Rothko—became a part of the Museum’s collection. The achievements of this generation put New York City on the map as the center of the international art world. Abstract Expressionism at The Museum of Modern Art celebrates the Museum’s unrivaled holdings of paintings, sculptures, drawings, prints, and photographs from this period in the history of art and the institution. Includes 147 illustrations.”

147 awesome illustrations … and all this for only 30$. It’s not that I am all about the money but illustrated art books usually ruin your budget and I was super happy to get this one for a very fair price. And it is the perfect book to flip through while reading “Seek My Face” … just in case you do not have the chance to read in on a bench at MOMA and just go around and look at all the art work mentioned.

The book gives lots of interesting stories about the artists and the whole art movement and the New York art scene in 50ies, 60ies and 70ies - again perfect to read along with “Seek My Face”.

Finally I'd like to give you my favorite quote from the book by Ann Temkin, because I think it is important:
“In a world that likes its culture fast, Abstract Expressionism works are uncompromisingly slow.”

That is so true. If you go to a museum to explore this kind of art, TAKE YOUR TIME. Look from distance and go close (not too close of course – you do not want to trigger the alarm) and look again. Give it time to impress you and please, please ... shut your ears to the stupid people passing a Pollock or a Rothko almost in running speed babbling super stupid stuff like “Look at that crap - even I could do that.” (My most hated museums visitors – sad enough you find a lot of them at popular places like the MOMAs).

The drippings on a Pollock may look random, but they are not. The opposite is the fact - Pollock was very precise and very aware of all steps in his working process.

A monochromatic Rothko may look simple, but it’s not. The colors were applied step by step, layer by layer to get their intensity.

Take your time, look closely and enjoy!

Thanks for your reading time today and stay tuned for more art postings! I visited the Museum Brandhorst - Munich’s finest and newest collection - yesterday and taking pictures was allowed!

Multimedia Section

Watch Jackson Pollock in action:





MOMA, New York (click to enlarge):

Jackson Pollock


Mark Rothko

Robert Rauschenberg

Jasper Johns


Tuesday, April 12, 2011

Croatia, the EU & 4 versions of "me" in one day

Did you ever think about how many versions of you exist and how many of them you can make show up in a single day? Sounds schizophrenic? Well, yes - maybe. But let me explain:

Most of the day my business "me" was in charge writing copy, setting up coupon codes, participate in business calls, discussing promotions, margins and pricings. When the last call was finished I had about half an hour to quickly get to the Bavarian State Library to hear the speaking engagement of Vladimir Drobnjak, Chief Negotiator for Accession Negotiations with the European Union and Deputy Head of State Delegation. He was - as you may guess from his impressive title - scheduled to talk about the long and winding process of Croatia's accession to the European Union. I sent, of course, the Croatian version of "me" to listen to the speech in Croatian (and German translated by our friend and great interpreter Renata Čupić) and see what is up with the political and economical future of my favorite country.


Interesting enough memories can be triggered by lots of things and one of the most powerful triggers is definitely a scent. In this case the totally distinctive smell of a huge university library. A lot of books, which went through thousands of hands, smell like nothing else - and it is always the same scent ... anyway if you are in Muenster, in Munich or in New York. The speech was held in the "Eastern" Reading Room, where you can access the huge collection of the library focussing on Eastern Europe, the Orient and Asia. And hello ... there it was - the long lost and almost forgotten student version of "me", which came in handy for the night, because that "me" once upon a time studied political science with visiting several classes about the transformation process of  some Eastern European countries as well as modern history with a focus on Eastern European and Slavic history. All this stuff sneaking back into the more frequently used parts of my memory and brain fit very well to the content of the lecture.

When I had just graduated and left university with my Master degree I could not move on quickly enough to do something totally different, but honestly - now a little more than 10 years later - I sometimes miss the world of science.

Drobnjak's speaking engagement itself was a very rare opportunity to look behind  the curtains of the giant, complicated and almost absurdly complex accession process, which is already going on for over five years ... with the light at the end of the tunnel in sight now.
He vividly described how a team of over 1.000 people only on the Croatian side is working on solving what seems like a million tasks, requirements, chapters and benchmarks, which all need to be reviewed and approved by the EU institutions in charge.

The good new is - it is almost done. Croatia did everything it was told to do. About 95% of all tasks are done and the final steps should be started soon including setting an accession date, signing the papers, starting the process of ratification (all 27 members of the EU need do that) and having the national referendum about the accession in Croatia.


Looking back to the last 5.5 years it seems almost incredible that Croatia got so far. The process fell into a difficult time for the EU, which had to deal with the enormous eastward expansion of the post communist years, the economical collapse of more than one member country and lot of other things. So the idea of inviting additional countries to the club became more and more unpopular and the requirements Croatia had to meet grew in the same pace.

While Vladimir Drobnjak handeled all topics with the elegant containment of an experienced diplomat, Bernd Posselt, member of the European Parliament and important ambassador for Croatia, was much more explicit about how several political battles were fought on Croatia's expense and how the membership of Crotia is NOT the interest of some of the current members and the reason for many problems Croatia had to solve on its way.

For now Croatia is close, but not there yet. The next couple of months will be some of the most in important in the history of the still young Republic of Croatia. Let's hope for a bright and postive future right here in the middle of Europe.

And by the way ... the fourth "me" for today is the writer "me" ... without that one - no blog post ;)

Sunday, April 3, 2011

Blog post where I declare winter to be over & play some rock music

Rituals are important. I am for example a superstitious sports fan. I always post if possible (means me not being totally offline) the same tweet before every Pens game. They win and lose anyway, but if I would not tweet, a loss would be totally my fault and who would want that?

I also have a
ritual to declare winter to be over: I clean my terrace.

I usually wait until mid / end of April because April can be a beast and go from summer weather straight to snow and ice especially in the first half of the month. I know that and I am definitely too early this year, but after this absolut fantastic weekend I could not resist anymore - I had to get rid of the winter tristesse NOW.

And because I have a new camera I documented the process:

At first I cleaned out the old leaves and the dirt.


Then I had the chairs lined up for cleaning.

Tables were next.

Then I set up my open air dining room.

And finally prepared my favorite place - the deckchair.

Speaking of summer - the decoration :)

....

Shift of location - in my apartment at 11.30 pm:

When I was thinking about setting up this silly little blog post I decided to use the word "tristesse" and *BOOM* - it triggered my inner DJ.  It suddenly appeared and clapped happily with his little hands: "TRISTESSE! - I have some BEAUTIFUL songs about it."  I was like "Uh oh noooo - this is all about sunshine and how amazing the weekend was and how to get rid of tristesse."  Too late ... the music was playing already and here we go with some awesome songs, which proof that I am officially old ;)

Manic Street Preachers - La Tristesse Durera



Smashing Pumpkins - Tristessa

And yes - that guy WITH hair is really Billy Corgan ;)

Gibonni - Hodaj

There is no special occasion or reason to share this video now, but I am listening to this song a lot lately and I simply LOVE IT.

It's also one of Gibonni's best videos, because it perfectly catches the fantastic atmosphere of his live shows and you get to see (all open air footage) the Arena in Pula - one of the most beautiful venues in Croatia.


ENJOY!